Contemporary Art. “For three days, I remotely watch over the person 24/7 and control all aspects of their home. presented a piece where he jogged in a plastic pant suit and collected sweat from his exercise routine. It's hard to recall a book that left me as haunted as Zuboff's, with its descriptions of the gothic algorithmic daemons that follow us at nearly every instant of every hour of every day to suck us dry of metadata. Data & Society advances public understanding of the social implications of data-centric technologies and automation. Art in the Age began as an artists’ collective, rooted in the traditions of American craftsmanship. There are also artists who take from personal experiences. has been attempting to “become a human version of Amazon Alexa, a voice-activated AI system for people in their own homes.” The project is called. What about the others? apr 17, 2007. Report. Utilizing the Freedom of Information Act, resources from the government, exploration of the self, research, and insider connections, artists who create work centric to an era of governmental fear are pushing the boundaries on democracy and robbed liberty. It does so through an examination of how these concepts have developed over time, including crucial historical developments in the realm of power and visual art. Paglen uses high-powered optics to capture classified miliary and surveillance bases. A bag contains a laptop, GPS-receiver, earphones, and a mouse is taken on a walk through the city. Hasan Elahi was placed on a terrorist watchlist database in 2002 after being interrogated by FBI agents. Not all artists see big data as a fearful instrument. Founder Steven Grasse developed a line of spirits in that same tradition, using recipes and ingredients drawn from the history of Pennsylvania, and the Art in the Age brand was born. Those who don't go to the ars electronica of the world or feel safer when they are video'd on CCTV, can they really be shaken by these artistic and activist projects? Neo Conceptual Art. Sur Gallery 100-39 Queens Quay East, Toronto ON M5E 0A5 (Located on the first floor on the east wing of Pier 27, East of Yonge Street) www.surgallery.ca. The federal government has used military-grade border patrol drones like this one to monitor protests in US cities. “As surveillance and big data becomes increasingly ubiquitous, we are forced to negotiate new relationships with it.”, Sometimes this means following them from room to room, turning on lights ahead of their steps. Since 2017, Lauren McCarthy has been attempting to “become a human version of Amazon Alexa, a voice-activated AI system for people in their own homes.” The project is called LAUREN. Opening Reception: Saturday, May 4th 7-9:30pm. Courtesy of the artist. PRESS RELEASE: A Matter of Public Record: Art in the Age of Mass Surveillance is an exhibition that examines the many ways that we are watched, surveilled, datamined, and placed within an over-determined system of social control that … Art has the power to infiltrate the public with information. 5 years ago | 5 views. How to hide from a drone – the subtle art of 'ghosting' in the age of surveillance. The federal government has used military-grade border patrol drones like this one to monitor protests in US cities. One of the projects presented is (re)collector, by James Coupe. By Austin Choi-Fitzpatrick Published on Jul 28, 2020. Students in the Art Market MA program present a panel discussion about surveillance, from personal data mining to government and corporate spying and tracking. Header image: Hương Ngô, “To Name It Is to See It,” 2017. The exhibition focused on utilizing tools of democracy to report and channel information that was unreported and unknown to the public. to be viewed at a public screening in Cambridge during the festival programme. Selvaggio says, “The reality is that more so than being a technology, surveillance, as its implemented by governments and institutions, is a value system, and one that values white men over all others. Hasan Elahi was placed on a terrorist watchlist database in 2002 after being interrogated by FBI agents. Visual art served as a lynchpin in disseminating and critiquing political information. I was about to leave the story as a del.icio.us link but 3 seconds after read about another surveillance project on plus six. Free UK p&p over … Apparently the last time they carried out the experiment was in 2004. The exhibition featured the works of Ahmed Basiony, Thomas Demand, Hasan Elahi, Harun Farocki, Jenny Holzer, Trevor Paglen, Taryn Simon, and many others. Surveillance is an Art. Trevor Paglen describes himself as a landscape artist, but he is no John Constable. I attempt to be better than an AI, because I can understand them as a person and anticipate their needs,” says McCarthy. Surveillance and privacy are also hot topics for data artists. “As surveillance and big data becomes increasingly ubiquitous, we are forced to negotiate new relationships with it.” The poet Ezra Pound once said that artists were the “antennae of the human race.” Marshall McLuhan called art “an early alarm system.” In the age of mass surveillance, artists are also eyes and ears that tell us what we often don’t see and don’t hear. Discussions over privacy, and how this privacy is navigated by the government, also develops into understanding information and why this information is withheld from the public. ART IN THE AGE OF SURVEILLANCE a Round Table Discussion. The piece, Tahrir Square demonstrations during the Egyptian Revolution. 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