Bach: Concerto for Violin and Oboe Mozart: Symphony No. His abilities in music were obvious even when Mozart was still young so that in 1762 at the age of six, his father took him with his elder sister on a concert tour to Munich and Vienna and a second one from … for Piano and String Quintet) This incipient theme and variations, however, is interrupted by the woodwinds, who attempt to brighten the mood with a contrasting melody in a major key. Wolfgang Amadeus MOZART (1756-1791) Piano Concerto No. 5 0 obj 22 in E-flat Major, K 482; from a 1947 recording featuring pianist Edwin Fischer. Dora Stock’s 1789 portrait of Mozart. Enter your email address to subscribe to this blog and receive notifications of new posts by email. The second on one by Johann Gottfried Eckard (op. Piano Concerto No. ���o�m������|�o�5���O��d:�������������t����\���t�y��i��Gu=v���On�n���O���O���9��z�]w�Ó~�U�[e;����%A�?O����O�z��n�V�:�ݏ����?ܭ�ͯ���Gw[w�f���k��6�|]������]S��q>�C��Q�)p�2~ 33 Beethoven: Piano Concerto No. A duet for flute and bassoon once again tries to intervene with a new major-key theme, but the piano and orchestra emphatically return to the main theme. Nevertheless, the piano and strings insist on another variation of the gloomy main theme. Just as the movement is about to end, the music pauses, and we hear a brief reminiscence of the delicate melody. In addition to Theme 1, Theme 2, and a closing theme, all heard in both expositions, there is also a piano theme heard in the solo exposition. 22 in E-flat Major, K 482 Third movement, “Rondo,” of Mozart's Piano Concerto No. 2, No. As if entering a dream world, the soloist leads us to a slow Andante cantabile featuring the woodwinds. —Calvin Dotsey. stream Wolfgang Amadeus Mozart grew up in Salzburg under the regulation of his strict father Leopold who also was a famous composer of his time. Michael Kelly, an Irish tenor who originated the roles of Basilio and Don Curzio in The Marriage of Figaro, left a vivid description of Mozart’s piano technique from this time: “His feeling, the rapidity of his fingers, the great execution and strength of his left hand particularly, and the apparent inspiration of his modulations, astounded me.”. 14 (K. 449) in E ♭ major, ushers in a period of creativity that has certainly never been surpassed in piano concerto production. 22 in E-flat major on December 16, 1785 as he was approaching the height of his popularity in Vienna. Regarding an early performance, Mozart’s father Leopold reported that it had been a particular favorite with the audience: “the Andante had to be repeated (something rare).” The strings alone introduce the expressive main theme of the movement before the piano enters and plays a variation on it. 1, no. Almost simultaneously, he had been working on the score to The Marriage of Figaro. The first movement of Mozart's Piano Concerto No. 22 in E-flat opens with a brilliant ritornello, but the heart of this concerto is the affecting slow movement in C-minor, a movement that must have served as inspiration for the adagio in Beethoven's Eroica Symphony. Explore the 2020–21 season and purchase your subscription today! Your donation helps the Houston Symphony enrich the lives of more than 400,000 Houstonians annually. Your email address will not be published. 21 in C major, K. 467 "Elvira Madigan": III. Another cadenza then returns us to a reprise of the main theme and the broad, lyrical melody. Mozart: Piano Concerto No.22 In E Flat Major, K.482 - 2. Performers today must supply their own cadenzas. Third movement, “Rondo,” of Mozart's Piano Concerto No. Almost simultaneously, he had been working on the score to The Marriage of Figaro. Allegro 13:34 2. 1. For this series, as was his habit, Mozart composed a new piano concerto, the present work in E flat, which he entered in his catalog on December 16. After the soloist’s final trill (the traditional signal that the cadenza is over), the orchestra brings the movement to a spirited close. Get tickets and more information at houstonsymphony.org. The slower second movement, a melancholy Andante, is the heart of the concerto. a brief reminiscence of the piano’s second theme. Above: Detail of Jean Honoré Fragonard’s The Love Letter. An orchestral tutti then leads to a more unstable, developmental section featuring virtuoso arpeggios for the piano that pass through many different keys. Piano Concerto No 22 in E flat major K482 Allegro Andante Allegro Piano Concerto No 24 in C minor K491 Allegro Larghetto Allegretto Hyperion is delighted to present Angela Hewitt’s third volume of Mozart piano concertos. the woodwinds, who attempt to brighten the mood. Born January 27, 1756, Salzburg, Austria. Wolfgang Amadeus Mozart - Mozart: Piano Concerto No. ‎Escucha canciones y álbumes de Michail Gantvarg, como "Concerto No. Wolfgang Mozart. After this transitional passage, the second theme introduced by the violins in the introduction is surprisingly absent; instead, the soloist plays a new theme. 22 in E flat major, K482 (1785) [32:42] Piano Concerto No. The gloomy mood of the Andante is immediately banished by the bright, sunny main theme of the finale. 22 in E-flat major, K. 482: I. Allegro; 5 Piano Concerto no. From February 1784 to March 1786, Mozart wrote no fewer than 11 masterpieces, with another (No. Mozart: Piano Concerto No.22 In E Flat Major, K.482 - 1. %PDF-1.3 1 Vivaldi: Concerto for 4 Violins (Alan Gilbert, conductor) Debussy: Prelude to the Afternoon of a Faun (Alan Gilbert, conductor) Ravel: Bolero (Alan Gilbert, conductor) Listen Thursday December 10 at 8 p.m. This Thanksgiving weekend, the Houston Symphony welcomes acclaimed pianist Inon Barnatan back to Jones Hall for performances of Mozart’s enchanting Piano Concerto No. 22 in E♭ major, K. 482, is a work for piano, or fortepiano, and orchestra by Wolfgang Amadeus Mozart, composed in December 1785. The vivaciousness and playfulness of the third movement come across nicely. The main theme then returns, but is soon derailed into a more tumultuous developmental section, which suddenly comes to a halt with a cadenza. 14 in E-Flat Major, K. 449 - III. a brief reminiscence of the delicate melody. Notify me of follow-up comments by email. About 'Theme from Piano Concerto No. Romance," "Concerto No. Piano Concerto No.21 in C major, K.467; Piano Concerto No.22 in E ♭ major, K.482; Piano Concerto No.23 in A major, K.488; Piano Concerto No.24 in C minor, K.491; Piano Concerto No.25 in C major, K.503; Piano Concerto No.26 in D major, K.537 “Coronation” Piano Concerto No.27 in B ♭ major, K.595; Arrangements of Other Composers Rondo: Allegro" y muchos más. 18-20 July 2013, National Arts Centre, Ottawa HYPERION CDA68049 [63:20] 10 in E-Flat Major for Two Pianos and Orchestra, K. 365: III. A transition then leads not back to the main theme, but to a third melody with a broadly lyrical, singing character. 3 / Nos 22 & 24 - Angela Hewitt. Mozart composes at the pool table The Marriage of Figaro (K. 492) Act 4, Contessa, perdono Salieri sneaks into Mozart's house Piano Concerto No. the piano enters and plays a variation on it. It is not known when Mozart completed his Concerto for Two Pianos and Orchestra in E-flat major, K. 365/316a, but research by Alan Tyson shows that cadenzas for the first and third movements are written in his and his father's handwriting on a type of paper used between August 1775 and January 1777 [citation needed]. View credits, reviews, tracks and shop for the 1991 CD release of Piano Concerto No.21 In C - Piano Concerto No.22 In E Flat on Discogs. Apart from Mozart’s usual formal perfection and melodic genius, this concerto is especially noteworthy for its colorful woodwind writing, which employs clarinets in place of the oboes expected in an orchestra of this era. Mozart completed the Piano Concerto No. I was particularly impressed with the first movement ... totally. <> It is interrupted, surprisingly, by a slow minuet section in the subdominant key of A ♭ major (a procedure Mozart would repeat with his 22nd concerto, 1785, also in the key of E ♭ … This site uses cookies. After the dancing main theme, the music comes to a pause as the strings play a simple, pulsing accompaniment figure. 22 in E-flat major on December 16, 1785 as he was approaching the height of his popularity in Vienna. Writing in The Observer, Stephen Pritchard wrote of the first volume that ‘Judging from this first example, it’s going to be a … ... here. Save my name, email, and website in this browser for the next time I comment. Within that general structure, however, Mozart has a few surprises in store. Mozart completed the Piano Concerto No. The remainder of Part II (i.e from Bars 22 to the Coda) is a repetition of the corresponding portion of Part I, with slightly variations and of course, the usual modification of key. 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